Blake Snow

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Tagged jazz

Generationals: The best $8 album I’ve purchased this year

courtesy photo

courtesy photo

With exception to the food, my brother, brother-in-law, and consummate friend can’t stand New Orleans. I suspect it has nothing to do with the Big Easy or its people and everything to do with an insolvent business they endured there together.

Whatever the case, I hope the new album by New Orleans duo Generationals might somehow change their mind. It’s as distinct, influential, and catchy as the city they hail from. Certainly not as old and in no way related to jazz, the genre invented there. But the synth-driven, upbeat music will make you want to dance and put a smile on your face, which is good enough for me.

After five listens, I don’t think it’s as moving as their last album, but it’s one of the freshest works I’ve listened to all year, especially “Black Lemon,” “Gold Silver Diamond,” “Now Look at Me,” “Welcome to the Fire,” and “Would you Want Me.” If you’re in the mood for something new, I highly recommend at least a stream.

Four stars out of five.

PS – This is the best $10 album I’ve bought all year

Despite being 50 years old, my favorite jazz song makes $100k year

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That’s what I call perpetuity.

According to Spirited Men by Brian Doyle, Dave Brubeck’s classic cool jazz track Take Five makes a cool $100,000 a year in royalties. Imagine how much it made at its height in the early ’60s!? Yeah, baby!

Cooler still, the beneficiary of said royalties is none other than one of my favorite charities: The Red Cross. Song writer and Brubeck saxophonist Paul Desmond left the rights to the song to The Cross upon his death in 1977, as opposed to some deadbeat son like Will from About a Boy.

Bonus link: Radiohead vs. Dave Brubeck mashup in 5/4 (Thanks, Lexi Sara).