With little else to do in quarantine, I’ve been making a lot of music over the last four months. I’ve recorded an album’s worth of original material, which I hope to release this summer, and started rehearsing with a live cover band—a rock quartet comprised of me singing, Ashton Bennett melting faces on guitar, Caleb Browning rocking a ridiculous amount of bass and backing vocals, and Jayce Ward not missing a beat on drums. (video evidence here)
Though both experiences, I’ve learned two important lessons:
- I love making music. I learned guitar and started singing in middle school and played in several bands through college. But with notable exception to listening to lots of new music, I largely quit making it after marrying, having children, and taking up writing. Quarantine changed all of that for the better. It’s a wonderful feeling to make harmonious noise while the world slowly sorts itself out.
- Tambourines are in over 50% of popular music. While recording, studying, and performing more live music than ever before, I’ve been immediately struck by the amount of tambourines used in recorded music (at least the kind of pop and rock that I mostly listen to), and how much better they make live music sound. I realize tambourines are the ugly stepchild of music, but let me explain why they’re used more than even synthesizers when it comes to making popular music.