It’s been a superb year for new music so far. Along with a strong finish of releases last year, these are the albums worth writing home about—and ones I hope you’ll consider in your search for new, inspiring songs from new or rejuvenated blood.
Gone Now by Bleachers
Behold: this is art. From front to back, singer/songwriter Jack Antonoff (aka Bleachers) channels brilliant beats, catchy choruses, and melodic instrumentation in classic stereo. If this masterpiece doesn’t finish as album of the year, I’ll be delightfully surprised. Continue reading…
“Who does this guy thinks he is?”
I asked myself that upon seeing Luke Spiller perform with The Struts for the first time. He had just finished ripping through the opening four songs of their recent set in Salt Lake City. Two singles. Two of his debut album’s most anthemic tracks. No stops or pauses in between songs. All in the first 15 minutes of a performance that would eventually double the running time of their only album plus one new song.
But unlike a punk act that similarly keeps the punches rolling, Spiller was wholly uninhibited on stage. He wore glittered capes and spandex. Shimmied his shoulders like Freddie Mercury. Calculated dramatic toe steps and emphatic kicks in every direction. Choreographed his carefully rehearsed movements to the music.
While observing all of this, I couldn’t decide if Spiller wanted to imitate Michael Jackson, Robert Plant, Prince, or Mick Jagger. On top of that, the size of his mouth suggests his mother may have slept with Steven Tyler during the British leg of Aerosmith’s Pump tour.
In a later interview after the show, he brushed off a facetious question about his outrageous showmanship. “That’s just what I am,” he told me. “It’s just what I enjoy.”
For lovers of live performances that make you forget the troubles at home, Spiller’s dramatic charisma is all for your gain. Continue reading…