Blake Snow

writer-for-hire, content guy, bestselling author

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Tagged 2020

Good and bad: What I liked most about 2020

Running man at Delicate Arch

I’m conflicted about this year.

On the one hand, 2020 has been the most difficult year of my life. After pandemic struck, I was underemployed and making less than half my normal income for much of the year. As a social butterfly that values gatherings, events, and travel, it’s been hard to pretend to be something I’m not: an introverted, ineffectual homebody that’s suppose to keep their distance.

To be asked to do this for an indefinite period of time is even worse, especially after a country of 10 million (Sweden) has avoided lockdowns, face masks, and closed businesses, even though their death rate is better than Spain, Italy, France, and America (who all opted for strict closures and mask use — go figure).

On the other hand, there’s a lot more to like about 2020 than not. In fact, it’s far from being the “dumpster fire” it’s been called. Although I wouldn’t consider it my favorite year, it’s certainly the most memorable. Here’s why: Continue reading…

NEW MUSIC: My favorite albums of the year

Like 2020 in general, music this year has been both good and bad. It hasn’t been the best since both releases and events are at all-time lows. But there’s been some really good stuff from the little that has been released. Pending any surprise release this winter, these are my favorite albums so far this year:

  1. The Killers, Imploding the Mirage. From front to back, this is a really well written, produced, and performed batch of 10 brilliant songs. Favorite song: Dying Breed
  2. Weeknd, After Hours (Clean). Because I listen to music with my kids and already have enough explicit content in my life, I really like the clean version of Weeknd’s latest album. I think it might be his best yet, even though it’s a slight departure from his previous EDM like production. Favorite song: Scared to Live
  3. Tame Impala, The Slow Rush. Is an okay Tame Impala album better than the best of the rest? If you’re a musical genius like Kevin Parker, the answer is yes. While not as masterful as his previous albums, especially currents, it’s still a good listen with a handful of really strong songs. Favorite song: On Track
  4. The Academic, Acting My Age. I cheated on this because it’s really an EP instead of full-length album, but the included six songs are deliciously fun, catchy, and unabashedly youthful. Favorite Song: Anything Could Happen
  5. Haim, Women in Music Pt. III. This is Haim’s best album to date, in my opinion. Delightful, poppy, foot-tappingly good production. Favorite song: Another Try

HONORABLE MENTION: Mr. Mustache by yours truly. I think it’s the best album by an unsigned artist this year, and not far off from sounding, acting, and producing something you’d expect from a professional team of musicians and producers. Now streaming on Spotify, iTunes, YouTube Music, Amazon and more. Favorite song: Shrug. I hope you enjoy it.

My new song was recording magic. I hope you like it.

I was a mess the first two weeks of quarantine. My wife of 17 years said she had never seen me so stressed.

What did I do to cope?

I started writing music at a frantic pace and recorded 18 original songs in the first three months of shutdown. Twelve of those songs made it on my debut album that’s available for streaming and download on August 20.

One of the songs that really help me move from stress to at least some kind of clarity was called “Control What You Can.” With exception to the bridge, it ‘s only two chords and it has an uneasy feeling, the same feeling most of us felt when the world changed.

But in spite of the uneasy sound, I wrote the encouraging lyrics for myself, pleading to “control what I could” when there was so much I couldn’t control. It was a wonderful realization that help me turn a corner; from stress into action.

When I went to record the song, it was late at night. With my floor lamp and headphones on, I spent several hours on the production and immediately knew I had captured a special sound, arguably the most professional track on the the entire album. By the end, I recorded a simple but righteous guitar solo and sung my heart out during an extended outro.

This is that song. It’s pretty moody. And although the music doesn’t sound very uplifting, the lyrics completely are, which is a juxtaposition that I really like and hope you do to.