Ten years ago, Disney released a Pixar film that had a profound impact on the course of my professional life.
At the time I was a full-time video game critic for several online magazines. I had a knack for raking mediocre games and news over the coals. I gained a reputation for publishing smart but scathing copy. Back then, I felt it was my job, if not duty, to critique everything I touched as if the orbit of the Earth depended on it. Continue reading…
Assuming his biography well represents him, Steve Jobs was a jerk for much of his life. A work-a-holic with eating disorders, incredibly bratty, ruthless.
I’m sure a lot of devout followers will excuse his actions with “no one is perfect.” I prefer that justification, however, for people who are at least trying to improve their social skills with age, instead of sticking to their anti-social guns as Jobs did for much of his life.
Pixar’s Wall-E and Stanly Kubrick’s 2001: A Space Odyssey share a lot in common. Both are set in space, feature little dialog, have robots taking over the world, are immensely artistic, won’t keep a 2 and ½ year-old engaged despite their G rating, and offer a handful of sophisticated moments in filmmaking. But both are really monotonous — an analogy proving that Wall-E is easily Pixar’s worst film to date, for both adults and children alike.
Though I widely disagree with DeadBolt’s Top 10 picks (Beowulf? You cannot be serious), the movie portal makes a strong case for most of their selections, with Pixar rightfully sweeping the top five slots. As for me, Ratatouille is easily the greatest computer animated film ever made, and one of the best feature films of all time — animated or otherwise.