Courtesy Pixar
As written by Brad Bird for Ratatouille, the best Pixar movie ever
“In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so.
But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talent, new creations. The new needs friends.
Last night, I experienced something new: an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking is a gross understatement. They have rocked me to my core.
In the past, I have made no secret of my disdain for Chef Gusteau’s famous motto, ‘Anyone can cook.’ But I realize, only now do I truly understand what he meant. Not everyone can become a great artist; but a great artist can come from anywhere.
It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau’s, who is, in this critic’s opinion, nothing less than the finest chef in France.
I will be returning to Gusteau’s soon, hungry for more.”
Courtesy Disney/Pixar
Many years ago, Disney released a Pixar film that had a profound impact on the course of my professional life.
At the time I was a full-time video game critic for several online magazines. I had a knack for raking mediocre games and announcements over the coals. I gained a reputation for publishing smart but scathing copy. Back then, I felt it was my job, if not duty, to critique everything I touched as if the orbit of the Earth depended on it. Continue reading…
Assuming his biography well represents him, Steve Jobs was a jerk for much of his life. A work-a-holic with eating disorders, incredibly bratty, ruthless.
I’m sure a lot of devout followers will excuse his actions with “no one is perfect.” I prefer that justification, however, for people who are at least trying to improve their social skills with age, instead of sticking to their anti-social guns as Jobs did for much of his life.
Continue reading…
Pixar’s Wall-E and Stanly Kubrick’s 2001: A Space Odyssey share a lot in common. Both are set in space, feature little dialog, have robots taking over the world, are immensely artistic, won’t keep a 2 and ½ year-old engaged despite their G rating, and offer a handful of sophisticated moments in filmmaking. But both are really monotonous — an analogy proving that Wall-E is easily Pixar’s worst film to date, for both adults and children alike.
Continue reading…
Though I widely disagree with DeadBolt’s Top 10 picks (Beowulf? You cannot be serious), the movie portal makes a strong case for most of their selections, with Pixar rightfully sweeping the top five slots. As for me, Ratatouille is easily the greatest computer animated film ever made, and one of the best feature films of all time — animated or otherwise.
